Chetan Bhagat’s Copyright Incompetence
The fact of the matter is, Bhagat is complaining that he did not get a proper story credit, but was mentioned only in the credits in the end. The fact of the matter also is, Chetan Bhagat is an MBA from India’s top school, and worked many years as an investment banker. And no matter what the other failings of i-bankers are, they are expected to understand contracts. To read and interpret contracts. And to realize, that if you are not happy with something in the contract, you don’t sign it
Gaurav Sabnis nails it when he pins the blame rightly on Bhagat (or his lawyer). Bhagat signed a contract in 2005 signing away his rights in lieu of payment. One point of contention – placement of authorship/credit – is stated plainly in the contract that was posted by the producer Vidhu Vinod Chopra and is done exactly that way – in the rolling credits. So why all the tamasha? Bhagat is resorting to a typical Indian strategy of appealing to an ambiguous standard of fairness when in fact he has no standing legally. His melodrama complete with a crying mom is textbook manipulation of the Indian media and public who consider personal sentiments above the law. Why has Bhagat been wronged? Because it does not appear fair – is the crux of the argument. Enforcement of contracts apart from ensuring law & order seems to be India’s shortcoming in almost all aspects of life thereby stifling business and economic growth.
Bhagat is an IIT/IIM graduate and probably is fully aware that he wouldn’t stand a chance in court but he fully understands India’s weakness for not enforcing contracts or adhering to law & order. Similarly our penchant for ‘competitive intolerance’ lets random previously-unheard-of religious or ethnic groups demand and get apologies from influential filmmakers for ‘offended sensibilities’. The failings of the judicial system might be partly to blame but the general tendency to mete justice mob-style is not frowned upon unless we are targeted. Bhagat doesn’t incite violent mobs but he sure does whip up the other equally potent weapon in India – emotional blackmail. Previously used by parents to get their kids married off, Bhagat is unabashedly using it to elicit a larger share of the Three Idiots success pie.
Law and Other Things cite the case of Slumdog Millionaire in bringing up the moral rights in terms of attribution. Danny Boyle and his producers acknowledged Vikas Swarup as the author of the book on which their movie was based although they were not legally mandated to. But then again, you can only appeal to the moral or ethnical leanings of individuals but cannot mandate or coerce action based on grounds of “do it because it feels right” unless it is enshrined in law. Bhagat’s failing was in recognizing the potential of his creative work and signing a weak contract. In the words of the Decider, he ‘misunderestimated’ the worth of his work and of course, at that time, he received adequate compensation. You cannot trapeze in after a movie has grossed crores and demand a higher and fairer share. Chopra and Co. may have entertained his tantrums in the media and would’ve been advised to keep mum and avoid the melodrama on their part. Instead, they could’ve asked him to sue them and ask to be seen in court.
One final question for Bhagat – can you please post your contract with the production team of Hello (based on your other book, One Night @ the Call Center)? I would like to see the terms of your contract with them and if similar, why didn’t you create an equally raucous scene back then?
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