Black Impressions
- One of the best opening sequences; Rani Mukherjee’s introduction to her world.
- Brilliant lighting in most of the scenes with hardly any panning to disturb the serene look of Michelle’s home; a movie made entirely of individual crafted frames that seamlessly merge to form a unified motion picture.
- A mother’s silent angst at her husband’s impatience only supplemented by her refusal to let the teacher take over her role as a primary caregiver.
- Ayesha Kapoor, playing the role of young Michelle upstaging the Big B in a display of pure acting prowess.
- Clash of stubbornness that sometimes seems to make you impatient.
- Michelle’s weird dance and funny walk almost like subtle homage to Charlie Chaplain (notice the Chaplain poster in the ice-cream jaunt scene).
- Relieved joy when Michelle finally learns the meaning of water by being dunked in the fountain.
- One of the rare movies without a romantic main plot and not many subplots or characters to distract you from the protagonist; the little ones involving a sister’s jealousy, a girl’s transition to womanhood, and academic frustrations seemed to be directly related to the main plot.
- Subtle reference to a disabled person’s sexuality; a thought that rarely crosses our mind. Barring a couple of giggling idiots, the entire theatre was silent during the Rani-Amitabh kiss.
- Complete silence almost pregnant with choked emotions during Michelle’s graduation speech was broken only by a woman’s loud sobbing, which let others crack up a little, effectively letting them wipe off their tears secretly.
- The only movie I have been to where the audience applauded at the end.
Enjoy Black if you haven’t yet.



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